|
|
|
Sebastiano del Piombo San Giovanni Crisostomo Altarpiece between 1510(1510) and 1511(1511)
Medium oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo San Giovanni Crisostomo Altarpiece between 1510(1510) and 1511(1511)
Medium oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo Head of a Woman Date early 1530s
Source Kimbell Art Museum
TTD
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo The Madonna with the veil 1525(1525)
English: Oil on Poplar
Dimensions 120,2 x 92,5 cm
cjr
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo Portrait of a Girl circa 1508(1508)
Medium oil on panel
cyf
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo Portrait of Ferry Carondelet with his Secretaries between 1510(1510) and 1512(1512)
Medium English: Oil on panel
cyf
|
|
|
|
|
|
|
|
|
|
Sebastiano del Piombo Retrato de Ferry Carondelet con sus secretarios between 1510(1510) and 1512(1512)
Medium English: Oil on panel
cyf
|
|
|
|
|
|
|
|
| |
|
|
Sebastiano del Piombo
|
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
|